People
Reach
People.

We start from your buyer, not from follower counts. We look at whose audience actually overlaps with the people you sell to, whether their content is somewhere your brand can sit comfortably, and what each one costs per person who genuinely watches. You see the shortlist and the reasoning before anything is booked.

No. We will happily run a campaign against assets you already own. Most of the advantage comes from being able to shoot a replacement the same week something stops working, so brands that use both tend to move faster, but it is not a condition.

You do. Usage rights are agreed with each creator up front and written into the booking, so you know exactly where and for how long you can run every asset. Nothing goes live without your approval.

It depends on the cast and the volume, so we do not publish a price list that would be wrong for most people. Creator fees are itemised rather than marked up quietly, and you see what each one costs. Tell us what you sell and roughly what you want to spend, and we will come back with a plan and a number.

Casting and contracting usually take the first stretch, filming follows quickly after that. The honest answer is that it depends on how fast approvals come back from your side, which is usually the real bottleneck. We will give you a dated plan on the call rather than a vague promise here.